This week I completed the eighth draft of my fourth and latest book. It’s not the final version by any means, but it’s the version I’m comfortable showing to people while I consider improvements. There’s never a final version to any book, even once it’s sent to the printer; I keep a running list of corrections if a revised edition of Samuel Smedley, Connecticut Privateer should ever be requested.
Often when I reach this milestone, I pull out my copy of Edward Gorey’s Amphigorey, a collection of his first 15 books, and reread the The Unstrung Harp. The story details the process of CF Earbrass, renowned English novelist, as he writes and publishes his latest work. The Unstrung Harp spans the period just before he begins writing and concludes with his escape from the reactions and reviews by suddenly going on holiday.
Never before or since The Unstrung Harp has a better rendering of the authorial journey been set to paper. Having read it first as a teen, it’s become a nostradamic document for me, a compilation of quatrains describing events and experiences that have come to pass.
In one panel Earbrass writes so long and hard that he skips lunch, whereupon he retreats to the kitchen to eat a jelly sandwich. That’s practically my daily routine.
Upon finishing a chapter, Earbrass sits and ponders “where the plot is to go and what will happen to it on arrival.” How else do you write a book?
Earbrass finds a presentation copy of an old novel in a second-hand bin but can’t remember who Angus is. A friend of mine once found a presentation copy of Smedley at a used-book sale and apologized to me, as if he was the one who gave it away.
Earbrass is cornered by an irate reader, who believes a character in the novel is modeled on him. Not only has this happened with my fiction, I also have a Smedley stalker who shows up at places to argue with me.
What’s amazing is that The Unstrung Harp was Gorey’s first book, originally published in 1953, and yet reading it, you’d think it was written by an established author reflecting on his career by way of self-mockery. Nope. Instead Gorey wrote a prophetic parody of the writing life, a blueprint of absurdity. For me, the humor only grows with each re-read.